what is poetry?
There are no pigs in this post. I was reading in bed last night in my lovely little Nonesuch edition of William Hazlitt, and discovered this bagatelle, which is, like, so what I have been trying to tell people..?
"Many people suppose that poetry is something to be found only in books, contained in lines of ten syllables, with like endings: but wherever there is a sense of beauty, or power, or harmony, as in the motion of a wave of the sea, in the growth of a flower that 'spreads its sweet leaves to the air, and dedicates its beauty to the sun', -- there is poetry, in its birth. If history is a grave study, poetry may be said to be a graver: its materials lie deeper, and are spread wider.
"History treats, for the most part, of the cumbrous and unwieldy masses of things, the empty cases in which the affairs of the world are packed, under the heads of intrigue or war, in different states, and from century to century: but there is no thought or feeling that can have entered into the mind of man, which he would be eager to communicate to others, or which they would listen to with delight, that is not a fit subject for poetry. It is not a branch of authorship: it is 'the stuff of which our life is made'. The rest is 'mere oblivion', a dead letter: for all that is worth remembering in life, is the poetry of it. Fear is poetry, hope is poetry, love is poetry, hatred is poetry; contempt, jealousy, remorse, admiration, wonder, pity, despair, or madness, are all poetry.
"Poetry is that fine particle within us, that expands, rarefies, refines, raises our whole being: without it 'man's life is poor as beast's'. Man is a poetical animal: and those of us who do not study the principles of poetry, act upon them all our lives, like Moliere's Bourgeois Gentilhomme, who had always spoken prose without knowing it. The child is a poet in fact, when he first plays at hide-and-seek, or repeats the story of Jack the Giant-killer; the shepherd-boy is a poet, when he first crowns his mistress with a garland of flowers; the country-man when he stops to look at the rainbow; the city-apprentice, when be gazes after the Lord Mayor's show; the miser, when he hugs his gold; the courtier who builds his hopes upon a smile; the savage who paints his idol with blood; the slave who worships a tyrant, or the tyrant, who fancies himself a god; -- the vain, the ambitious, the proud, the choleric man, the hero and the coward, the beggar and the king, the rich and the poor, the young and the old, all live in a world of their own making; and the poet does no more than describe what all the others think and act. If his art is folly and madness, it is folly and madness at second hand. There is warrant for it."
nb. Paragraph breaks are mine. Hazlitt, though consistently delightful in multifarious other ways, never mastered even the rudiments of writing for the web.





3 comments:
While I would not insist on ten syllables to the line, I would insist that poetry is something that gets written in lines; otherwise, how do we distinguish between Hazlitt's broad sense of what "poetry" and what we do when we write things in lines?
It's an ongoing exploration, Andrew. I've weritten one prose poem in my life.
What I really love in there is the assertion that poetry is no more airy-fairy than anyone else's delusional world-view.
In the irish tradition the word "Dan" means "Art" and also means a single "poem" in the sense of "a piece of art," poetry being the very grease and invisible ink with which the iron age goidelic culture ran on and effectively was/is a very very sophisticated culture that the outsider can only sum up as diddlee dee. Basically, deep in entrancement by the royal canal, the outsider sees only the graceful surface glide of the swans, the effortless, above surface seamlessly cool movement, but the residents see the furious paddling and shake their head in bemusement at the visitors walking round as though an invisible druidic mist were affecting their senses, thus the outsider can only murmer didlle dee, the one word veneer below which, when deconstructed, lies 200 0years of pure poetic history.
More interestingly however Dan also means ones "fate...destiny" and what is meant to be etc, and i know it's not everyones cuppa, due to the nature and wealth of manuscript on whose pages this tradition resides. But for me - through the accident of birth of having irish parents - i had a stronger will than most to stick at ploughing through what - for the first few years - appears as complex gobbledeegook.
When i started out in 2001 at college, i knew zilch about irish history, apart from the usual outline one gets as the child of irish emmigrants growing up listening to the rebel songs and having normal irish parents. I was not interested in intellectual pursuits until i hit my 30's, as i was too busy chasing the transcient pleasures of earthly existence.
When i started college i developed an extra curricular interest in the history of irish poetry and it was only last year that the skeleton of the four cycles of goidelic (gaelic) myth, which closely resemble the (welsh) brythonic corpus, ossiffied in my mind, after i read a friends screenplay on the first battle of moytura from the myth, which represents the penultimate wave of invaders seizing the island from the fir bolg and formor peoples. This is his ten year labour of love in its sixth draft, computer graphics and telling the story so fluently and skillfully, that i could see it immediately in my mind and join up the 6 confusing waves of people who make up the "invasion myths" and form the bedrock of the poetic tradition.
I suppose what i'm trying to tousle out of my psychic swirl is that poetry is as powerful a force as you make it, and the goidelic tradtion allows one - after a lot of slog - to situate this shadowy force and apprehend how the ancients of these islands viewed it, and as it is a more compact myth than graeco-roman, taking less time and effort to take on board, offers a different perspective than the standard Homeric myth created by the tudors when starting out.
Basically there were seven grades of poets, with a fixed system of learning and is a fascinating subject. Here is a link to a short precis of the grades and what they had to master.
http://www.druidry.org/board/viewtopic.php?t=4945
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